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Showing posts with label Miss Clara. Show all posts
Showing posts with label Miss Clara. Show all posts

Friday, 3 January 2014

Rapunzel


THE TOWER
 The Rock of Manerba, Lake Garda, Italy - April 1595

A white flame of horror coursed through her.  'What are you doing?  What's happened to my hair?'

Slowly, [Margherita] began to realise that the hair was not all the same colour.  Some of the tresses were more red than gold, some more gold than red.  Some hung in tight twists and ringlets, some were smooth and silky, and others formed soft loose curls.  Each flowed and coiled into the next, like a river that ran one moment in quick rapids, then fell in a foaming roar, before winding in lazy loops into a tranquil pool.

'Hold still,' the sorceress said.  She was kneeling beside the bed, a long curved needle in one hand, threaded with fine golden filaments, a long flow of bronze-coloured hair in the other.  Each time she bound the hair, she chanted:

By the power of three times three, I bind you to me.
Thou may not speak of me, nor raise a hand to me
Nor stir from this place where I have cast thee.

It was as if her words wrapped chains around Margherita's wrists and ankles and tongue, fettering her.  She could not move or speak, though whimpers of terror struggled in her throat.

Kate Forsyth, Bitter Greens, p. 136.
Last summer, an amazing young lady named Claire, sent me a plump parcel full of exquisite yarns, the colours of which had been inspired by a card of Rapunzel my children had chosen for her. After a few months of casting on and unravelling a variety of promising patterns which I had hoped would do justice to the Rosy Cochineal silk and baby camel yarn I finally turned, for the third time, to Dani Sunshine’s Vintage Bouquet for which you will find my Ravelry notes here. Whilst knitting this shawl I embarked on a fascinating voyage into the origins of the Rapunzel fairytale thanks to Kate Forsyth’s, intriguing novel ‘Bitter Greens’ which, to my great delight, bought me, via late sixteenth-century Venice, full circle to the court of Louis XIV - the seat of my beloved late seventeenth-century aesthetics research.

I learned that the first version, written in 1634 by Giambattista Basile, was entitled Petrosinella; after the heroine's mother's craving for parsley not salad.  Charlotte-Rose de Caumont de La Force included her version, Persinette, in a collection of fairy tales published in 1697 during her bleak exile from the court of Versailles.  The final tale which most of us are familiar with is, of course, the Grimm brothers' Rapunzel which appeared in 1812

In Bitter Greens Charlotte-Rose de La Force's story becomes interwoven with the original strands of the Rapunzel tale.  She was an independently–minded woman from a noble family who caused several scandals in her quest to live a life that was self–determined. After publishing satirical works concerning King Louis XIV and an elopement with a minor Charlotte-Rose was exiled to a convent where she wrote her collection of fairy tales and a series of popular historical novels.  It is not hard to see why the story of a maiden locked away in a tower would appeal to her although scholars are puzzled as to how she gained access to the original Italian tale.

Instructive though it might be Kate Forsyth's novel is also the perfect companion for long winter evenings curled up in an armchair by the fire.  Three women, three lives and three stories are braided together in a compelling tale.  Have you read it?  If so I would love to have your opinion!  For those who might like to read the original Petrosinella I strongly recommend Jack Zipes's translation found in this book. Unfortunately, I cannot find an English translation of the French Persinette which is to be found in this collection.  I am pretty sure I will be laying my hands soon on this recent publication about the Rapunzel tradition.
And those boots?  They are, of course, the exquisite work of my favourite shoemaker, Ren from Fairysteps.  Unique, soft, light and built to last for many years.  I am absolutely certain I won't be bumping into another pair of feet in France as well shod as mine!  Rapunzel would have been grateful for such a comfortable pair of shoes once she broke free from her hellish confinement.
And because one fairytale often leads to another, here is the French artist, Miss Clara's, most recent work of art; The Princess And The Pea which is now available in English.

My most important message to each and every one of you, dear readers, is A VERY HAPPY, PEACEFUL, and MAGICAL New Year!  Oh, the undeniable thrill of a blank book waiting to be written.  Which begs the question; do you have any dreams for 2014?

Warmest wishes,

Stephanie 

ps With many thanks to Héloïse who posed under the rainclouds as a rather cheerful Rapunzel on New Year's Eve.  We had fun, didn't we?

ps I've just noticed that my shoes are featuring on Ren's Fairysteps header over here.

Sunday, 19 February 2012

What Do Charles Perrault, Miss Clara And Embroidery Have In Common? A Giveaway!

Dear readers,
On February 15th we celebrated Tristan's birthday for which I baked the grand sum of 45 cakes (some large some small) all inspired by the colours of this work from our artist in residence.  
I simply love the fact my one and only son was born the night after Valentine's Day and because at the grand age of eight he is already a romantic I am gifting him this treasure entitled The Birds' Wedding Day created by Celia Hart of Purple Podded Peas.  (He also got a shiny, new bicycle.) I have also decided to take heed of Monty Don who claims February 15th - his wife Sarah's birthday - to be the first day of Spring whatever the weather.  (For his beautifully penned words on this date please refer to The Ivington Diaries.)
I have drawn inspiration from this book (I was certain I would).
The yarn is Koigu KPPPM
and have drawn lessons from my children on the fabulous art of delaying tactics while I should have been embracing the challenge of casting on My Rosebud Cinnamon Girl instead.
The yarn is Madelinetosh DK in Sugar Plum
I have gently told myself that part of my delaying devices were pardonable as they were working towards my Very Exciting Project which will be unveiled on the first day of Spring and which you will all be awaiting with bated breath, right? 

All these Spring colours have made me hungry for more and so I turn to eighteenth-century Versailles fashion.  I have succumbed finally to acquiring this book which relates the life and work of Rose Bertin, Marie Antoinette's dressmaker. I wonder if somone knows of English publications on this fascinating lady?
I have also been concocting a giveaway for you.

There are so many treasures I would like to gift you but I think it is time to celebrate my French origins. Merci Maman

As a child I was raised on the seventeenth-century writer Charles Perrault's fairy tales and decades later had the immense joy of weaving some of his texts into my thesis writing.  (What a privilege to be able to touch and scour through his original manuscripts!)  Some of you may remember my post last year on the artist Miss Clara's version of Hans Christian Andersen's The Snow Queen.  Many of you expressed your enthusiasm for her work and for this reason I have decided to offer you Perrault's disconcerting story Peau d'âne - Donkey Skin - illustrated by Miss Clara herself. (Click on the link and you will find a fascinating short clip of the artist in her atelier.  It's in French!)
Her illustrations are exquisite.
Of course not all of you may feel the urge to read this tale in French so I am also offering this recent translation of Charles Perrault's Fairy Tales which I find rather good.
My third gift moves into the realm of embroidery but also remains French in essence.  Are you familiar with the shop Les Brodeuses parisiennes?  It specialises in embroidery and cross stitch designs capturing the beauty of gardens, Paris and the aesthetic pleasures of French patisserie.  I have chosen for you a vintage style linen tea towel with a joyful parade of cakes and 1950's Parisian ladies to cross stitch (please note that the DMC embroidery thread references are provided but not the threads themselves).
So if you would like to win these gifts simply leave a comment choosing either the two Perrault books or the embroidery.  What a delicious dilemma!  Do not feel obliged to become a follower of Millefeuilles unless you want to.  Should you kindly add a beautiful and splendid link to this giveaway on your blog you will get two chances to win.  Just leave me another comment to let me know you have done so.  The Giveaway will close on March 3rd.

Bonne chance à tous!
Stephanie


ps Great news!  Mademoiselle Toadstool arrived in one piece at her destination!



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